Шаманские напевы нганасан вне обрядовой ситуации (по материалам записей Салира Порбина 1990 г.)

Abstract

The article discusses the materials of the Nganasan shamanic folklore recorded by the author in the village of Volochanka in 1990 from the expert of musical-folklore tradition Salira Mydovich Porbin. These are the tunes of Nobobtie Ngamtusuo and Munsaku Turdagin, who were well-known shamans in Avam tundra. These materials have not yet become the subject of scientific discussion. The musicological analysis of shamanic tunes performed by S.M. Porbin shows how a change in the context of performance (the absence of a ritual situation) affects the musical and stylistic design of the shamanic chant. The contribution of E.A. Helimsky to the study of the poetics of the genres of Nganasan musical folklore (shamanic rituals, allegorical songs) is emphasized.