Betwixt and Between Hester Swane as a Liminal Symbol of Irish Identity

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Soltan Jaber

Abstract

This paper examines the character of Hester Swane in Marina Carr’s By the Bog of Cats (1998) as a powerful liminal representation of the intricacies of Irish identity through cultural, historical, and social transitions. Drawing on Euripides’ Medea and theoretical frameworks on liminality by Victor Turner and Michel Foucault, it investigates how Hester’s life is suspended between past and present, tradition and modernity. The analysis will follow how Hester struggles to come to terms with her mother’s abandonment, unpredictable landscapes, and social isolation and how they serve as manifestations of the broader Irish experiences. Hester’s defiance reveals that liminality is not a transition but an ongoing condition that determines her agency, identity, and fate. Finally, the paper argues that Hester’s tragic finale highlights the never-ending tension in Irish society, challenging notions of progress, belonging, and continuity of traditions.

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How to Cite
Jaber, S. (2025). Betwixt and Between: Hester Swane as a Liminal Symbol of Irish Identity. Sapiens Ubique Civis, 6, 287–301. https://doi.org/10.14232/suc.2025.6.287-301
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Articles
Author Biography

Soltan Jaber, University of Szeged

Soltan Jaber is a 4th-year PhD student in Comparative Literature at the University of Szeged, researching Irish adaptations of Greek tragedies from the last three decades. With a BA from the University of Jordan and an MA from the University of Pécs, he developed an interest in classical myths, focusing on Sisyphus in Beckett’s works. His doctoral research focuses on a range of Irish dramas that revisit the Greek tragic figures, Seamus Heaney’s The Cure at Troy (1990) and Marina Carr’s Hecuba (2015) among others. This study aims to analyse how those adaptations negotiate cultural, historical, and political discourses while integrating their insights into ongoing discussions about identity, memory, and moral responsibility in Irish theater.