The tools and methods of music therapy and mapping its theorists in a pedagogical framework
Main Article Content
Abstract
The challenges of pedagogy include the resolution of stressful social situations, the introduction of methods and tools for development and prevention in the process of education and upbringing. The use of music as a tool has become natural, but the background knowledge, the skills acquired through training, are not available to a wide range of teachers, and the tools to make an impact are lacking. There is a lack of cooperation between different disciplines, between theoreticians and practitioners. This gap is evident from a brief review of both national and international studies. The present study aims to take stock of the physiological and physiological effects, tools and methods of music therapy, some studies on the transfer effects of music and to highlight the thin line between pedagogy and therapy.
Article Details
References
Chong, H. J. és Kim, S. J. (2010): Education-oriented music therapy as an after-school program for students with emotional and behavioral problems. The Arts in Psychotherapy, 37. 3. sz. 190-196. https://doi.org/10.1016/j.aip.2010.03.004
Crowe, B. J. és Rio, R. (2004): Implications of technology in music therapy practice and research for music therapy education: A review of literature. Journal of music therapy, 41. 4. sz. 282- 320. https://doi.org/10.1093/jmt/41.4.282
Csépe Valéria (2017): A zene hatása a fejlődésre és lehetőségei a gyermekgyógyászatban. Gyermekgyógyászati Továbbképző Szemle, 2. 2. sz. 1-8.
Damaceno, G. G. (1990): Personalities in world music education no. 10. Edgar Willems. International Journal of Music Education, 15. 1. sz. 39-44. https://doi.org/10.1177/025576149001500108
Dansereau, D. R. és Wyman, B. (2020): A child-directed music curriculum in the Montessori classroom: Results of a critical participatory action research study. Journal of Montessori Research, 6. 1. sz. 19-31. https://doi.org/10.17161/jomr.v6i1.10631
Davidson, A. (2023a): The listening actor: intersections between the musicality of Meisner Technique and ear training in Dalcroze Eurhythmics. Theatre, Dance and Performance Training. 14. 1. sz. 5–23. https://doi.org/10.1080/19443927.2022.2152483
Davidson, A. (2023b): From Hellerau to Here: Tracing the Lineage and Influence of Dalcroze Eurhythmics on the Family Tree of Theatre Pedagogy. Arts, 12. 4. sz. 134. https://doi.org/10.3390/arts12040134.
Frego, R. J. D., Gillmeister, G., Hama, M. és Liston, R. E. (2004): The dalcroze approach to music therapy. In: Darrow, A. (szerk.): Introduction to Approaches in Music Therapy. American Music Therapy Association, Silver Springs. 15–24.
Gardstrom, S. C., Hiller, J., Heiderscheit, A. és Jackson, N. L. (2022): Music therapy pre-internship education and training: Support for a methods-based approach. Music Therapy Perspectives, 40. 1. sz. 14-22. https://doi.org/10.1093/mtp/miab026
Gereben Ferencné (2017): Teremtő erő. Művészetterápia – gyógyító pedagógia. Fejlesztő Pedagógia, 28. 1-2. sz. 12-18.
Habron, J. (2016): Dalcroze Eurhythmics in music therapy and special music education. Approaches: An Interdisciplinary Journal of Music Therapy, Special Issue, 8. 2. sz. 100-104. https://doi.org/10.3389/fpsyt.2021.643234
Jacobsen, S. és Langan, D. (2009): A Music Therapy Assessment Tool for Special Education: Incorporating Education Outcomes. Australian Journal of Music Therapy, 20. 78-98. https://search.informit.org/doi/10.3316/informit.409708439829456 (2023.08. 10).
Kemper, K. J., és Danhauer, S. C. (2005): Music as therapy. Southern medical journal, 98. 3. sz. 282-288. https://doi.org/10.1097/01.SMJ.0000154773.11986.39
Khyzhna, O. és Shafranska, K. (2020): Music therapy as an important element in shaping communication competences in children with autism spectrum disorder. Journal of History Culture and Art Research, 9. 3. sz. 106-114. https://doi.org/10.7596/taksad.v9i3.2823
Mayer-Benarous, H., Benarous, X., Vonthron, F. és Cohen, D. (2021): Music therapy for children with autistic spectrum disorder and/or other neurodevelopmental disorders: a systematic review. Frontiers in Psychiatry, 12. 435. 1-21.
Mead, V. H. (1996): More than Mere Movement – Dalcroze Eurhythmics. Music Educators Journal, 82. 4. sz. 38-41.
Missura Attila (2005): Zeneterápia – zenei nevelés. In: Lindenbergerné Kardos Erzsébet (szerk.): Zeneterápia. Szöveggyűjtemény. Válogatott írások a művészetterápia köréből, a tudomány és a média világából. Kulcs a Muzsikához Kiadó, Budapest. 66-77.
Mitchell, E. (2016): Therapeutic Music Education: An Emerging Model Linking Philosophies and Experiences of Music Education With Music Therapy. Canadian Journal of Music Therapy, 22. 1. sz. 19-41.
Moreno, S., Marques, C., Santos, A., Santos, M., Castro, S. L. és Besson, M. (2009): Musical Trainig Influenses Linguistic Abilities in 8-Year-Old Children: More Evidence for Brain Placticity. Cerebral Cortex March, 19. 3. sz. 712-723.
Najnudel, J., Hélie, T., Roze, D. és Boutin, H. (2020): Simulation of an ondes Martenot circuit. IEEE/ACM Transactions on Audio, Speech, and Language Processing, 28. 2651-2660. https://doi.org/10.1109/TASLP.2020.3019643
Peak, L. (1998): The Suzuki method of music instruction. Teaching and Learning in Japan. 345-368. https://doi.org/10.1017/CBO9781139174480.019
Petruta-Maria, C. (2015): The role of art and music therapy techniques in the educational system of children with special problems. Procedia-Social and Behavioral Sciences, 187. 277-282. https://doi.org/10.1016/j.sbspro.2015.03.052
Robertson, J. (2000): An educational model for music therapy: The case for a continuum. British Journal of Music Therapy, 14. 1. sz. 41-46. https://doi.org/10.1177/135945750001400105
Salvador, K. és Pasiali, V. (2017): Intersections between music education and music therapy: Education reform, arts education, exceptionality, and policy at the local level. Arts Education Policy Review, 118. 2. sz. 93-103. https://doi.org/10.1080/10632913.2015.1060553
Silverman, M. J. (2014): Effects of family-based educational music therapy on acute care psychiatric patients and their family members: An exploratory mixed-methods study. Nordic Journal of Music Therapy, 23. 2. sz. 99-122. https://doi.org/10.1080/08098131.2013.783097
Skubic, D., Gaberc, B. és Jerman, J. (2021): Supportive development of phonological awareness through musical activities according to Edgar Willems. SAGE open, 11. 2. sz. https://doi.org/10.1177/21582440211021832
Szabadi Magdolna Anna (2021): A szociális kompetencia fejlesztésének lehetősége zeneterápiás eszközökkel a tanító- és tanárképzésben. ELTE Tanító- és Óvóképző Kar, Budapest.
Szabadi Magdolna (2014): A szociális és az érzelmi kompetencia összetevőinek, fejlődésének és fejlesztésének vizsgálata zeneterápiás keretben. Magyar Pedagógia, 114. 3. sz. 149-188
Szőnyi Erzsébet (1988): Zenei nevelési irányzatok a XX. században. Tankönyvkiadó, Budapest.
Szűcs Antal Mór (2017): Akadálymentesített gitároktatás. Fejlesztő Pedagógia, 28. 1–2. sz. 90-94.
Telek Lilla (2017): „Akkor ez most terápia, vagy nem?” – „Határ-kérdések” a művészetterápiában. Fejlesztő Pedagógia, 28. 1–2. sz. 54-58.
Tóth-Bakos Anita (2016): Music education and music therapy. In: INTED2016 Proceedings, 1643-1652. DOI:10.21125/inted.2016.0135 7-9. March, 2016, Valencia.
Urbánné Varga Katalin (2017). Királyi út: zenéléssel a belső szabadsághoz. Fejlesztő Pedagógia,
1–2. sz. 67–70.